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Advertising Agency Cleveland
 Casting for Big Ideas: A New Manifesto for Agency Managers an Adweek Book by Andrew Jaffe, PRAISE FOR CASTING FOR BIG IDEAS " That advertising agencies must change or die is no longer open to serious challenge. Just how they must change is another matter. Andrew Jaffe combines the knowledge of an insider with the dispassionate perception of an outsider; the clarity with which he depicts the future makes his book a survival necessity for every agency manager." – Sir Martin Sorrell, CEO, WPP " Andrew Jaffe hits the nail right on the head with this one! It is long over for advertising agencies to change their existing models. Considering the level of creative talent that walks through agency halls, the advertising world has not been innovative with its own business.This book will force agency leaders to sit up and take notice– and, hopefully, act upon some of Andrew’ s suggestions." – Steven G. Gundersen, CEO Gundersen Partners " Andrew Jaffe shows a clear path for the advertising agency for this century. For anyone who loves advertisi this is a must-read." – Peter Sealey, PhD, Former Chief Marketing Officer The Coca-Cola Company Adjunct Professor of Marketing at the Haas School of Business The University of California at Berkeley " The future is about big ideas, and being media-neutral in concept and media-infinite in potential execution. Advertising agencies that do not adapt to this reality will become irrelevant to brands and businesses. Casting for Big Ideas is a rallying cry to the entire communication industry." – Jean-Marie Dru, President and CEO TBWA Worldwide " An insider’ s view from an expert who’ s seen it all, Casting for Big Ideasprovides inspiring views on how we can change the ad business– from the inside. Andrew captures both the difficulty and the importance of creating a new kind of marketing communications, who’ s doing it right and why. A thoroughly engaging read.
 Creative Company: How St. Luke's Became The Ad Agency to End All Ad Agencies by Andy Law, Why does Fast Company magazine call St. Luke’ s " the ad agency to end all ad agencies" ? How can a company function, let alone thrive, when it has " eschewed conventional hierarchy in favor of the flattest possible organizational layout and the craziest ever decision-making process" ? And why on earth would some of the most talented and sought-after minds in the advertising world forsake the fabulous perks available to senior managers and risk everything for a company where no one even a desk to call his or her own? In Creative Company, the chairman and cofounder of St. Luke’ s answers these questions and many more. Andy Law writes candidly and enthusiastically about breaking the agency mold and organizing a company in a completely different way. St. Luke’ s is nothing if not different— to many, the agency described in this remarkable and challenging book may hardly sound like a business at all. In 1995, a small band of highly creative people who loved the work but hat the workplace established a company designed not only to get the most out of them, but to give the most back— a company in which creativity, curiosity, versatility, and a sense of fun are assets to be celebrated, not encumbrances to be left outside the door. Law recounts how many St. Luke’ s employee/owners discovered new sources of satisfaction, hidden talents, and even entirely new careers as they encouraged each other to experiment, learn, and grow. Meanwhile, the agency’ s annual billings soared to more than $90 million in three memorable years. Complete with revealing tales of advertising legends such as Jay Chiat, Bill Tragos, Frank Lowe, and the Omnicom chieftains,Creative Company offers a fascinating, warts-and-all tour of the advertising industry.
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